Skip to content
Studio Notes
Home / Notes

Studio Notes

Our editorial pages explain how logo redraws, vector artwork and illustration work in practice. They are written for South African businesses that want clearer files and better brand consistency.

What Is Vector

What Is Vector

An introduction to vector artwork and why it scales better than bitmap images.

Vector Vs Bitmap

Vector Vs Bitmap

A plain-language comparison of vector files and bitmap images for business artwork.

Why Redraw Logos

Why Redraw Logos

Why businesses often need a logo redrawn from an old or unsuitable file.

Hand Redraw Benefits

Hand Redraw Benefits

How a hand redraw can improve balance, readability and consistency over quick tracing.

Auto Trace Limits

Auto Trace Limits

Common problems with automatic tracing and when manual work is more appropriate.

Logo File Checklist

Logo File Checklist

A checklist of what to gather before sending artwork for redraw or illustration.

Artwork Rights Basics

Artwork Rights Basics

Why clients must own the artwork they send or have permission to use it.

Best Logo Reference

Best Logo Reference

How to choose the best source material when your original logo files are missing.

Cleaning Old Scans

Cleaning Old Scans

What can be recovered from scanned artwork and where hand rebuilding helps most.

Sketch To Vector

Sketch To Vector

How rough logo sketches become polished vector artwork suitable for business use.

When To Use SVG

When To Use SVG

Where SVG files work well and why they are useful for digital platforms.

When To Use EPS

When To Use EPS

Why EPS remains a practical format in some print and sign workflows.

When To Use PDF

When To Use PDF

How vector PDF files help with sharing, approvals and production references.

When To Use AI

When To Use AI

What an AI master file is and when editable source files are useful.

Logo Colour Matching

Logo Colour Matching

How colour references help keep a redraw close to your existing brand look.

One Colour Logos

One Colour Logos

Why one-colour logo versions remain useful for stamps, embroidery and simple print.

Logos For Signage

Logos For Signage

What makes a logo easier to reproduce on large signs and cut graphics.

Logos For Embroidery

Logos For Embroidery

Design details that often need simplification before embroidery production.

Logos For Print

Logos For Print

Preparing logo artwork so it reproduces more reliably on printed material.

Logos For Web

Logos For Web

How to choose practical logo versions for websites and online platforms.

Logos For Social

Logos For Social

Adapting logos for profile images, banners and social post layouts.

Logos For Packaging

Logos For Packaging

Why packaging often needs cleaner vector files and supporting illustration assets.

Rebuilding Wordmarks

Rebuilding Wordmarks

How typographic logos are redrawn for spacing, alignment and clearer reproduction.

Rebuilding Crests

Rebuilding Crests

Special care needed when redrawing crests, emblems and ornate badge logos.

Rebuilding Mascots

Rebuilding Mascots

What to consider when turning mascot art into clean vector logo assets.

Signature Logo Notes

Signature Logo Notes

How signature logos are refined without losing their personal hand-drawn feel.

Badge Logo Notes

Badge Logo Notes

Why badge logos benefit from careful spacing, symmetry and border clean-up.

Line Art Basics

Line Art Basics

A guide to line-based vector artwork for logos and supporting illustrations.

Brand Icon Sets

Brand Icon Sets

How custom icon families strengthen consistency across print and digital touchpoints.

Custom Illustration Value

Custom Illustration Value

Why tailored illustrations can make a business brand feel more distinct.

Vector Naming System

Vector Naming System

Simple ways to name and organise logo files for easier future use.

Master Logo Files

Master Logo Files

What a useful master logo pack should include for day-to-day business needs.

Approving A Redraw

Approving A Redraw

What to check when reviewing a redrawn logo before final file supply.

Common Redraw Mistakes

Common Redraw Mistakes

Typical issues that lead to awkward logos, uneven curves and hard-to-use files.

Scaling Logos Safely

Scaling Logos Safely

Why vector logos scale well and where detail reduction may still be needed.

Printproofing Logos

Printproofing Logos

How printed proofs help spot line, spacing and colour issues before use.

Avatar Simplifying Tips

Avatar Simplifying Tips

Practical ways to simplify logos for tiny social and app icon spaces.

Vector For Vinyl

Vector For Vinyl

Why clean paths matter when artwork may be cut from vinyl.

Archiving Brand Assets

Archiving Brand Assets

How to store logo and illustration files so future staff can find them.

Refreshing Older Brands

Refreshing Older Brands

When a redraw can preserve heritage while improving practical day-to-day use.

What Studio Notes Covers

Studio Notes is our practical hub for business owners, marketers and print buyers who need artwork that holds up across signage, labels, uniforms and digital use. The articles break down the difference between a quick trace and a proper redraw, when a hand-drawn illustration is the better option, and how to prepare artwork for printers in South Africa.

We also cover the file types people ask for most often, including SVG, EPS, PDF and AI, plus when each one is useful. If you are comparing options for a logo update or a full illustration brief these notes help you choose with less guesswork.

How To Choose Between Redraw And Illustration

A logo redraw is best when the original artwork is weak, blurry or stuck in the wrong format. A hand redraw rebuilds the logo with clean lines, better spacing and proper vector paths so it can be scaled for a van door or a small label without losing quality.

Illustration is a different job. It is used when the artwork needs to be created from scratch or given a drawn feel for a mascot, menu, map, badge or packaging panel. The right choice depends on the source file, the end use and how much detail the final artwork needs.

  • Choose redraws for existing logos, emblems and marks that need cleaning up.
  • Choose illustration for original visuals, icons, scenes and stylised graphics.
  • Choose both when a logo needs fixing and supporting brand artwork is also required.

File Formats That Print Shops Ask For

Different jobs call for different file formats. A vector logo can be opened and resized without the jagged edges that come from bitmap images, which makes it far more useful for print, cut vinyl and large format work. We explain what each format does and why a printer may ask for one over another.

  • SVG for web use and simple scaling.
  • EPS for print and production workflows.
  • PDF for easy sharing and approvals.
  • AI for editable working files used in professional artwork setup.

Most businesses need a mix of these files so the logo works across stationery, packaging and online use. That kind of file pack saves time when you need an artwork update later on.

Why Rights And Source Material Matter

Before any redraw or illustration begins, the person sending the artwork must own it or have permission to use it. That includes logos taken from old letters, supplier files, scanned marks and images pulled off the internet. It is a basic part of protecting the business and keeping the final file usable without disputes.

Good source material also helps us work cleaner. A sharp scan, a decent photo or the original artwork saves time and reduces guessing. If the file is faint, skewed or covered in background noise, it may still be possible to rebuild it but the final result depends on what is available.

Where South African Businesses Use Vector Artwork

Our notes are written with local use in mind. Businesses in Cape Town, Johannesburg, Durban, Pretoria and Bloemfontein often need artwork that works across printing, embroidery, vehicle graphics and digital platforms.

We also work with clients in Stellenbosch, Paarl and Port Elizabeth, where menus, stickers, wayfinding and packaging often need cleaner linework than a phone screenshot can provide. The aim is simple: give the printer, designer or sign maker a file that is ready to use.

  • Brand icons for small format use.
  • Mascot illustration for campaigns and events.
  • Packaging illustration for labels and cartons.
  • Map, menu and sticker illustration for practical business use.

Who Writes And Reviews The Notes

Studio Notes follows the same working method used in our Observatory, Cape Town base from 1994. Luyanda Mthembu leads the studio as Managing Director, with Ayesha Mafokeng on senior vector work, Pieter Skosana on illustration, Zanele Kajee on client services, Teboho Molefe on prepress and Megan Khoza on quality control. That mix keeps the advice grounded in actual production work, not theory.

Each page is written to help businesses ask better questions and understand what they are paying for. If a logo needs a redraw, or a new illustration needs to match existing brand files, the notes explain what to request and what to expect from the process. A small typo in a source file can become a big problem later, so the details matter.

Redraw and file questions

What is the difference between a bitmap and a vector file?

A bitmap is made from pixels and can go soft or blocky when enlarged. A vector file uses paths and shapes, so it stays clean at different sizes and is better for print, signs and editable artwork.

When should I request a hand redraw instead of a trace?

Request a hand redraw when the original logo is rough, low quality or needs cleaner proportions. A trace follows what is there, while a redraw rebuilds the artwork so it is neater and more usable.

Can you use a logo file I found online?

Only if you own the rights or have permission to use it. We need source material that the business is allowed to reproduce, especially for logos, mascots and branded illustrations.

Have a blurry logo? Send it to the studio.

Our contact form